A Manual of Gothic Moldings: With Directions for Copying Them and for Determining Their Dates

By Frederick Apthorp Paley

Initially released in 1902. This quantity from the Cornell college Library's print collections was once scanned on an APT BookScan and switched over to JPG 2000 structure by means of Kirtas applied sciences. All titles scanned conceal to hide and pages might comprise marks notations and different marginalia found in the unique quantity.

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1377 to 1546. type a debasing impact will immediately be perceived within the relatively meagre save-trouble approach to operating them. and huge and coarse contributors, with which, in early paintings, could were separate moldings ; little of minute and shallow hollows, occupying areas gentle element, vast crammed with teams of not easy wiry edges rather than rounded and softened types, and common vanity of slicing, are all con- spicuous features. upload to those, that their basic organize- ment at the chamfer-plane, which is a marked Perpendicular interval, offers a flatness which is characteristic of the unpleasing to the eye compared to the rectangularly recessed grouping of the 2 previous types. mass even as, there of truly excessive paintings within the paintings of scholar has to be cautious to not slur predilection he can have shaped it is this type of this era, that the over, in indulging for prior paintings. any the mould- ings of this sort usually die right into a basement composed of the uncut uncomplicated chamfer - airplane, in which case the outer edges of every molding after all coincide with it, due to the fact it is merely via slicing channels that the moldings are built from hearth, Vicar's shut, Wells. it 3 peculiarities are so * this could rather be divided by way of the coed into Perpendicular and Tudor, starting the latter with the reign of Henry VII. , 1485. — ; ; handbook OF GOTHIC MOLDINGS. G2 universal in Perpendicular moldings, that their absence nearly those are varieties the exception to common Tisage. 1. A : broad shallow casement, or hole, frequently occupying the centre of the crowd, and equivalent to approximately one-third of the width 2. of a three. The consistent use circle, of bowtells, or beads, of three-quarters equivalent to small shafts, and infrequently used as such The frequency of the double ogee, and a few types of it strange to the interval. The casement alluded to could certainly be considered as an elongation or extension of the adorned three-quarter hole, during which width it really is is more often than not a casement is received on the sacrifice of intensity. as a result, mark paintings while the of early Perpendicular deep and slim, of overdue while extensive and shallow, and of debased whilst virtually or really a it truly is, flat as have been, so stretched as to it floor, sunken yet little The chamfer-plane, or exterior line of the crowd. can be turn into under the latter end result saw within the home windows of St. Botolph's Church, and in these of the older parts of St. John's university, Cambridge. Of many varieties which the casement assumes, the main common are these represented in PL. VIII. figs. four, 10, thirteen. PL. IX. it's very figs. universal eleven, sixteen, and to discover one or either ends of the hole again in a type of quasi-bowtell, as noticeable in PL. VIII. figs. within the chancel of 2 and 15, and PL. Grantham Church. XX. fig. three, a window often, even though, probably normally, the ends are sharp and angular, as PL. IX. fig. 14, PL. XX. fig. 14, the arch-mold of the nave of Lancaster Church, or PL.

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